When I see his fingers, I know I am looking at a creator. I am looking at experimentation, knowledge, curiosity, and passion. Those smudges of green, yellow, and blue confirm Jackson's desire to be active and engaged with materials, with the world. Those are not the hands of a passive consumer.
Speaking of process, Jackson explains that "making [something] is the point of it." I could not agree more. In my own experience, creating, even if just for myself, provides an experience that is hard to replicate elsewhere. Whether it is messing around on guitar, figuring out how to carve and print a woodblock, exploring ways to use digital tools to make personally meaningful media, or even crafting a blog post, these activities give me deeper access to my thoughts. A quiet, singular focus replaces the noise that daily competes for my attention. What I hear instead is my own breath and its rhythm, sometimes held at a key moment. Now exhaled.
This physical nature of work can not be overlooked: the senses, the heartbeat, the feel of my fingertips on the materials, whether an exacto knife or keyboard. Together these make the aesthetic experience unordinary. At another point in the documentary, folder Chris Palmer demonstrates a lengthy process of creating a flower/tower. I see how intent he is. But I also hear it--his breath mixing with the sound of the paper being manipulated.
Great post! Love the Vine ...
ReplyDeleteThanks, Kevin. Been messing around with Vine lately. I remember this coming up in #clmooc one summer. Maybe we could return to it.
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